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hair cutting ,men hairstyles, haircut videos - YouTubeThe 50 best EDM songs you've heard at every summer festival EDM's sound precedes the name itself: Long before Calvin Harris went out and Diplo was hanging with Charlie Rose, DJs from Berlin to Buenos Aires were the lovers of clubs with ice in a frenzy with rhythms descended from the house of Chicago, Detroit techno, UK garage, trance Baleares, and other places. But something changed 10 years ago. Most of the people nail him in the now-legendary of Daft Punk 2006 Coachella set up, when the French robots unleashed their human dance jams after all from above a brilliant cyber pyramid, thus becoming a new generation of major festival goers to pleasures previously agreed to the rave store. These days, the lines between dance music and pop have disappeared, and the world's biggest DJs are so likely to be header festivals like Vegas clubs. With the summer decline and the festival season in full swing, here is our classified list of the best EDM shooters of the last decade. You know them all. ***50. Mafia de la Casa Sueca – "Uno" (2010) Few songs deserve their own documentary. At Take One, the Swedish House Mafia give their single break only that, construction and construction until the final fall: the great debut of the track at the Ultra Music Festival. The moment not only marks the ascendancy of this trio of Stockholm, but the beginning of Peak EDM — a moment when each artist seemed to go even bigger than the last one. However, "Uno", with its pummeling electro riff and soaring trance sinths, remains as high as anything that followed. 49. The Bloody Beetroots feat. Steve Aoki – "Warp 1.9′" (2009) "Warp 1.9′′′ opens with the ticks of the time bomb, and 30 seconds later offers an explosion worth comparison. Paranoid and Gothic, the song imagined electro-house as a kind of sonic haunted house. It also helped Steve Aoki pass from L.A. head label to star crossover cake. 48. Tiesto " KSHMR feat. Vassy – "Secrets" (2014)As contemporary EDM gradually assumed its form, trance kingpin Tiësto evolved along with it, negotiating its silky touch for a more tanned and pointer sound. As a team with KSHMR, he delivered a highlight of career in "Secrets", combining soft and high-style Spinnin dynamics with a blue Vassy hook that is pure ear worm. 47. David Guetta " Showtek feat. Vassy – "Bad" (2014) "Why it feels so good/ So good to be bad," asks Australian singer Vassy (or a chipmunk Auto-Tuned) in her introductory thesis. Guetta and his Dutch counterparts are very happy to provide enough hedonistic and pelvic stimulus to turn their query into a rhetorical question. 46. Krewella – "Alive" (2013)In the EDM circles, Krewella had what counts for a charming backstory: They were a real band, a three-piece Illinois composed of two sisters and a producer-dude. And with "Alive", a hint of silence with a sweet drop, they showed that they could produce real successes. But then the producer-dude was fired and decided to sue the sisters, and the sisters contrased, accusing the producer-dude on stage while they were drunk, and the trio solved their claims outside the court. And now that's mostly what they're known for. "Alive" remains very sweet, however. 45. Eric Prydz – "Opus" (2016)Eric Prydz is not a stranger to the progressive monumental house, even his simplest cuts can be swarm what, for another producer, could constitute the most epic hymn in his discography. But with "Opus" and his tempo changes in ascent and fall, he was overcome. It did not hurt that arpeggio like harpsichord suggests a baroque fugue of centuries remixed for the peak moment. "Opus" is so immediately gripping that none more than Four Tet asked Prydz for stems – and then delivered a remix that is no less massive. 44. Oliver Heldens – "Gecko" (2013)It is the song so nice, they named it twice. First the new Dutchman, after 18 years, pulled the carpet under a scene of a large swollen salon with a soft melody combining the swing of the house and the garage with the spring and future percussion. A year later, British singer Becky Hill arrived on board, adding her tall husky to a song that suddenly hit the Divulgation in her own game. According to Hill's lyrics in the mouth, they recriminated the song "Gecko (Overdrive)"—a wink, perhaps, to the fact that Heldens' original instrumental was simply too iconic to be forgotten. 43. Deadmau5 – "Strobe" (2010)Sure, Joel Zimmerman can be a bit of a singer when he wants to be, not to mention testicles, peevish, shorts, ornery, acerbic and difficult barefoots. But it is also able to be a great soft ol', as this 2009 heartbeat proves so soluble, deploying one of the most affective chord progressions of your entire career. 42. Sebastian Ingrosso " Alesso – "Calling (Lose My Mind)" ft. Ryan Tedder (2012)A public spokesman and composer Ryan Tedder has scored successes for almost all genres, so why not EDM? Here, it joins with dance titans Sebastian Ingrosso (Sweden House Mafia) and Alesso for a track that sounds like it was designed for the wins of the World Cup sound. For a moment, the turretization line of the melody was as pervasive as the hum of a vuvuzela. 41. Dillon Francis " DJ Snake – "Get Low" (2014) "Get Low" opens in Atlanta, the DJ Snake hook that recalls a Ying Twins song for more than a decade. By the time the song falls, he and Francis have traveled to Algeria, showing Orchestre National de Barbès to create a global success of EDM, unlike any other "trap" song ever recorded. 40. Duke Dumont – "Ocean Drive" (2015) The production of soft-focused electro-disco from this track works as a VR headset that instantly makes you feel like you're crossing a coastal road in an expensive sports car in the dead of the night during the summer of '83. But Boy Matthews' silk voices betray an existential angst that deafens, making "Ocean Drive" a deceptively soft soundtrack for problems in paradise. 39. Jack Ü feat. Kiesza – "Take Ü There" (2015) The eminent purveyors of the umlauts deEDM seem to have great pleasure in submitting Canadian singers sensitive to harsh conditions. Like his, "Take Ü There" is a magisterial wrong address: After lifting Calgary diva Kiesza's house with what sounds like an ascending, ecstatic hymn, Diplex lets it fall into a rectified tear where the collarbone becomes both a physical and musical concept. 38. DVBBS & Borgeous, "Tsunami" (2013)Certain dance tracks make no sense in any context other than blaring from festival speakers at a volume bordering on lethal. "Tsunami" is one of them. This pillar of the 2013 DVBBS Canadian and American DJ Borgeous festival circuit features weapons-grade synthetic stabs and kicks that sound like dynamite. Throwing it hard and feel your inhibitions crushed by the jackboot of the EDM storms. 37. Nero – "Promisos" (Skrillex & Nero Remix) (2011)The original version of Nero "Promisos" already sown as a titanium rocket, but the Skrillex remix led him to a new monumental dimension. Cutting the pieces from four to the floor, the remix was tuned into the perfect hook of the song, and then loaded it with some of Sonny's most brutal low saw riffs to date, resulting in something that sounds a lot like being invincible. 36. Sidney Samson – "Riverside" (2009)During the time there has been broadband Internet, there have been conspiracy theories that Tupac's death was false. But one thing is certain: The dead rapper never sounded more alive than when he provided the profane hook (sample of poetic justice) to this Dutch DJ loop stroke, a more bold and visceral posthumous appearance and that any hologram could throw. 35. Knife Party – "LRAD" (2013)As an alternative universe Chainsmokers, Knife Party resists pop but makes electro so great that pop has trouble resisting them. "LRAD", named by the sound weapon occasionally deployed in protesters, climbs and climbs before launching to one of the cave-blades that defined the EDM of the main plant in the summer of 2013. Here, negative space can be as powerful as any synthetic. 34. Benny Benassi feat. Gary Go – "Cinema" (Skrillex Remix) (2011)In 2011, Skrillex's bracing drops had created a new kind of dubstep. With his remix "Cinema", he began infiltrating the rest of the dance music, inserting a devastating and glitchy decomposition at the center of what had been a melancholic song, melliflua of electro love. Chaos ensues. 33. Chainsmokers – "#SELFIE" (2015)The best novelty song byEDM tells the story of a girl who takes a selfie and goes home with a guy who "likes" from the background of the dance. It is almost the reverse of every love song in the club that came before: The narrator never dances, and even complains about the DJ selections. However, "#SELFIE", fed by a hard hit house, is a song you want to play over and over. 32. Flux Pavilion – "I can't stop" (2012)Where Flux Pavilion's 2011 coup "Bass Cannon" was as subtle as a brick palette hitting the ground, the following year "I can't stop" poured over the ingravity, with pizzicato rope drags and humorous vocal loops that shake a slow and half time. The bass line is a rarity for the dubstep as well, negotiating brutalism for something that approaches melancholy — without losing any of its strength31. Deorro – "Five Hours" (2014) "Five Hours" is the closest EDM has come to a disc like the classic of the Chicago house of Lil Louis "French Kiss". Crossing forward with a seemingly direct rhythm, the track slowly begins to change shape, accelerating and slowing down. This is the kind of song that makes you wonder if you accidentally drank peyote tea with your morning oat. 30. The Deadmau5 feat. Rob Swire – "Ghosts N Stuff" (2008)After a steady promotion of a decade, 2008 was the year when the mau5 became Man, releasing three singles that would come to number 1 in Billboard's dancing cards. But "Ghosts N Stuff" was the largest shooter in the group, with Rob Swire of Knife Party sculpting his choir melody using Chris Isaak's "Wicked Game" and Deadmau5's sleepless hook shaking him to life with the power of the electric house and the shaking of church organs. 29. Skrillex – "Scary Monsters and Nice Sprites" (2010)As its famous asymmetric haircut, Skrillex's early signature single is all business left, right-wing. It starts with synthetic melodies of classical inspiration and highly processed but touching vowels — up to, 40 seconds in, our Sonny pushes you all over Mount Everest of drops. What follows is an epic, backward and future battle for the fate of, if not humanity, then at least dubstep. (Spontaneous warning: the bros win.)28. DJ Snake feat. Justin Bieber – "Let me love you" (2016)Together with "I'm sorry" and "Where are you now", "Let me love you" completes the sacred trinity of the jumping, tropical-flavored, singles of Justin Bieber's recent apology. But instead of deepening your immersive emotions in ecstatic release, DJ Snake slides on the other side, holding the clear choir of the song in a low-key collapse that invites you to sing and stick. 27. Kid Cudi – "Day 'N' Nite" (Crookers Remix) (2009)The difference between the original "Day 'N' Nite" by Kid Cudi and the remix of the Crookers house is, well, the difference between night and day. Where the single of Cleveland MC 2008 is a tale of insomnia and family struggle fixed at a skeletal rate, the Cudi Italian DJ boot outside the bedroom and the club, and suddenly a line like "The lone stoner seems to release his mind at night" has a completely new meaning. 26. Mike Posner – "I took a stack in Ibiza" (Seeb Remix) (2015) In the EDM version of "American Pie", Mike Posner narrates a depressive episode that revolves around trying to impress Avicii by taking drugs behind the stage. Music does not die, exactly, but it does combine: In the remix of Seeb, the colossal trance has deflated in the tropical house and the phrase "a sad song" is whipped and whipped. Tags:

The 50 best EDM songs you've heard at every summer festival EDM's sound precedes the name itself: Long before Calvin Harris went out and Diplo was hanging with Charlie Rose, DJs from Berlin to Buenos Aires were the lovers of clubs with ice in a frenzy with rhythms descended from the house of Chicago, Detroit techno, UK garage, trance Baleares, and other places. But something changed 10 years ago. Most of the people nail him in the now-legendary of Daft Punk 2006 Coachella set up, when the French robots unleashed their human dance jams after all from above a brilliant cyber pyramid, thus becoming a new generation of major festival goers to pleasures previously agreed to the rave store. These days, the lines between dance music and pop have disappeared, and the world's biggest DJs are so likely to be header festivals like Vegas clubs. With the summer decline and the festival season in full swing, here is our classified list of the best EDM shooters of the last decade. You know them all. ***50. Mafia de la Casa Sueca – "Uno" (2010) Few songs deserve their own documentary. At Take One, the Swedish House Mafia give their single break only that, construction and construction until the final fall: the great debut of the track at the Ultra Music Festival. The moment not only marks the ascendancy of this trio of Stockholm, but the beginning of Peak EDM — a moment when each artist seemed to go even bigger than the last one. However, "Uno", with its pummeling electro riff and soaring trance sinths, remains as high as anything that followed. 49. The Bloody Beetroots feat. Steve Aoki – "Warp 1.9′" (2009) "Warp 1.9′′′ opens with the ticks of the time bomb, and 30 seconds later offers an explosion worth comparison. Paranoid and Gothic, the song imagined electro-house as a kind of sonic haunted house. It also helped Steve Aoki pass from L.A. head label to star crossover cake. 48. Tiesto " KSHMR feat. Vassy – "Secrets" (2014)As contemporary EDM gradually assumed its form, trance kingpin Tiësto evolved along with it, negotiating its silky touch for a more tanned and pointer sound. As a team with KSHMR, he delivered a highlight of career in "Secrets", combining soft and high-style Spinnin dynamics with a blue Vassy hook that is pure ear worm. 47. David Guetta " Showtek feat. Vassy – "Bad" (2014) "Why it feels so good/ So good to be bad," asks Australian singer Vassy (or a chipmunk Auto-Tuned) in her introductory thesis. Guetta and his Dutch counterparts are very happy to provide enough hedonistic and pelvic stimulus to turn their query into a rhetorical question. 46. Krewella – "Alive" (2013)In the EDM circles, Krewella had what counts for a charming backstory: They were a real band, a three-piece Illinois composed of two sisters and a producer-dude. And with "Alive", a hint of silence with a sweet drop, they showed that they could produce real successes. But then the producer-dude was fired and decided to sue the sisters, and the sisters contrased, accusing the producer-dude on stage while they were drunk, and the trio solved their claims outside the court. And now that's mostly what they're known for. "Alive" remains very sweet, however. 45. Eric Prydz – "Opus" (2016)Eric Prydz is not a stranger to the progressive monumental house, even his simplest cuts can be swarm what, for another producer, could constitute the most epic hymn in his discography. But with "Opus" and his tempo changes in ascent and fall, he was overcome. It did not hurt that arpeggio like harpsichord suggests a baroque fugue of centuries remixed for the peak moment. "Opus" is so immediately gripping that none more than Four Tet asked Prydz for stems – and then delivered a remix that is no less massive. 44. Oliver Heldens – "Gecko" (2013)It is the song so nice, they named it twice. First the new Dutchman, after 18 years, pulled the carpet under a scene of a large swollen salon with a soft melody combining the swing of the house and the garage with the spring and future percussion. A year later, British singer Becky Hill arrived on board, adding her tall husky to a song that suddenly hit the Divulgation in her own game. According to Hill's lyrics in the mouth, they recriminated the song "Gecko (Overdrive)"—a wink, perhaps, to the fact that Heldens' original instrumental was simply too iconic to be forgotten. 43. Deadmau5 – "Strobe" (2010)Sure, Joel Zimmerman can be a bit of a singer when he wants to be, not to mention testicles, peevish, shorts, ornery, acerbic and difficult barefoots. But it is also able to be a great soft ol', as this 2009 heartbeat proves so soluble, deploying one of the most affective chord progressions of your entire career. 42. Sebastian Ingrosso " Alesso – "Calling (Lose My Mind)" ft. Ryan Tedder (2012)A public spokesman and composer Ryan Tedder has scored successes for almost all genres, so why not EDM? Here, it joins with dance titans Sebastian Ingrosso (Sweden House Mafia) and Alesso for a track that sounds like it was designed for the wins of the World Cup sound. For a moment, the turretization line of the melody was as pervasive as the hum of a vuvuzela. 41. Dillon Francis " DJ Snake – "Get Low" (2014) "Get Low" opens in Atlanta, the DJ Snake hook that recalls a Ying Twins song for more than a decade. By the time the song falls, he and Francis have traveled to Algeria, showing Orchestre National de Barbès to create a global success of EDM, unlike any other "trap" song ever recorded. 40. Duke Dumont – "Ocean Drive" (2015) The production of soft-focused electro-disco from this track works as a VR headset that instantly makes you feel like you're crossing a coastal road in an expensive sports car in the dead of the night during the summer of '83. But Boy Matthews' silk voices betray an existential angst that deafens, making "Ocean Drive" a deceptively soft soundtrack for problems in paradise. 39. Jack Ü feat. Kiesza – "Take Ü There" (2015) The eminent purveyors of the umlauts deEDM seem to have great pleasure in submitting Canadian singers sensitive to harsh conditions. Like his, "Take Ü There" is a magisterial wrong address: After lifting Calgary diva Kiesza's house with what sounds like an ascending, ecstatic hymn, Diplex lets it fall into a rectified tear where the collarbone becomes both a physical and musical concept. 38. DVBBS & Borgeous, "Tsunami" (2013)Certain dance tracks make no sense in any context other than blaring from festival speakers at a volume bordering on lethal. "Tsunami" is one of them. This pillar of the 2013 DVBBS Canadian and American DJ Borgeous festival circuit features weapons-grade synthetic stabs and kicks that sound like dynamite. Throwing it hard and feel your inhibitions crushed by the jackboot of the EDM storms. 37. Nero – "Promisos" (Skrillex & Nero Remix) (2011)The original version of Nero "Promisos" already sown as a titanium rocket, but the Skrillex remix led him to a new monumental dimension. Cutting the pieces from four to the floor, the remix was tuned into the perfect hook of the song, and then loaded it with some of Sonny's most brutal low saw riffs to date, resulting in something that sounds a lot like being invincible. 36. Sidney Samson – "Riverside" (2009)During the time there has been broadband Internet, there have been conspiracy theories that Tupac's death was false. But one thing is certain: The dead rapper never sounded more alive than when he provided the profane hook (sample of poetic justice) to this Dutch DJ loop stroke, a more bold and visceral posthumous appearance and that any hologram could throw. 35. Knife Party – "LRAD" (2013)As an alternative universe Chainsmokers, Knife Party resists pop but makes electro so great that pop has trouble resisting them. "LRAD", named by the sound weapon occasionally deployed in protesters, climbs and climbs before launching to one of the cave-blades that defined the EDM of the main plant in the summer of 2013. Here, negative space can be as powerful as any synthetic. 34. Benny Benassi feat. Gary Go – "Cinema" (Skrillex Remix) (2011)In 2011, Skrillex's bracing drops had created a new kind of dubstep. With his remix "Cinema", he began infiltrating the rest of the dance music, inserting a devastating and glitchy decomposition at the center of what had been a melancholic song, melliflua of electro love. Chaos ensues. 33. Chainsmokers – "#SELFIE" (2015)The best novelty song byEDM tells the story of a girl who takes a selfie and goes home with a guy who "likes" from the background of the dance. It is almost the reverse of every love song in the club that came before: The narrator never dances, and even complains about the DJ selections. However, "#SELFIE", fed by a hard hit house, is a song you want to play over and over. 32. Flux Pavilion – "I can't stop" (2012)Where Flux Pavilion's 2011 coup "Bass Cannon" was as subtle as a brick palette hitting the ground, the following year "I can't stop" poured over the ingravity, with pizzicato rope drags and humorous vocal loops that shake a slow and half time. The bass line is a rarity for the dubstep as well, negotiating brutalism for something that approaches melancholy — without losing any of its strength31. Deorro – "Five Hours" (2014) "Five Hours" is the closest EDM has come to a disc like the classic of the Chicago house of Lil Louis "French Kiss". Crossing forward with a seemingly direct rhythm, the track slowly begins to change shape, accelerating and slowing down. This is the kind of song that makes you wonder if you accidentally drank peyote tea with your morning oat. 30. The Deadmau5 feat. Rob Swire – "Ghosts N Stuff" (2008)After a steady promotion of a decade, 2008 was the year when the mau5 became Man, releasing three singles that would come to number 1 in Billboard's dancing cards. But "Ghosts N Stuff" was the largest shooter in the group, with Rob Swire of Knife Party sculpting his choir melody using Chris Isaak's "Wicked Game" and Deadmau5's sleepless hook shaking him to life with the power of the electric house and the shaking of church organs. 29. Skrillex – "Scary Monsters and Nice Sprites" (2010)As its famous asymmetric haircut, Skrillex's early signature single is all business left, right-wing. It starts with synthetic melodies of classical inspiration and highly processed but touching vowels — up to, 40 seconds in, our Sonny pushes you all over Mount Everest of drops. What follows is an epic, backward and future battle for the fate of, if not humanity, then at least dubstep. (Spontaneous warning: the bros win.)28. DJ Snake feat. Justin Bieber – "Let me love you" (2016)Together with "I'm sorry" and "Where are you now", "Let me love you" completes the sacred trinity of the jumping, tropical-flavored, singles of Justin Bieber's recent apology. But instead of deepening your immersive emotions in ecstatic release, DJ Snake slides on the other side, holding the clear choir of the song in a low-key collapse that invites you to sing and stick. 27. Kid Cudi – "Day 'N' Nite" (Crookers Remix) (2009)The difference between the original "Day 'N' Nite" by Kid Cudi and the remix of the Crookers house is, well, the difference between night and day. Where the single of Cleveland MC 2008 is a tale of insomnia and family struggle fixed at a skeletal rate, the Cudi Italian DJ boot outside the bedroom and the club, and suddenly a line like "The lone stoner seems to release his mind at night" has a completely new meaning. 26. Mike Posner – "I took a stack in Ibiza" (Seeb Remix) (2015) In the EDM version of "American Pie", Mike Posner narrates a depressive episode that revolves around trying to impress Avicii by taking drugs behind the stage. Music does not die, exactly, but it does combine: In the remix of Seeb, the colossal trance has deflated in the tropical house and the phrase "a sad song" is whipped and whipped. Tags:

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